Lessons of an Artist

Life is NUTS!

So Much has happened … good AND bad and the reason for my posting gap …

 

I got an agent! – Very good.

November of 2015, I participated in a twitter pitch event called #PBPitch. Participants write up a VERY short pitch of their picture book work-in-progress and if an agent wants you to submit it to them, they “favorite” your post. I got 10 favorites that day! But one agent in particular took the time to email me separately and state that she really looked forward to seeing my work closer. That effort made me feel like she really liked it. She was the only agent I sent it to that week. And that’s how I found Erica Rand Silverman! Turns out, she’s the perfect agent for me! (She’s cool even if you cry which is MUST-have to be my agent :)

 

I got LASIK – Very very bad.

My life changed on February 19, 2016. Because I had LASIK. Yep. That “easy” surgery that’s a “miracle” called LASIK. Well, for most it is a miracle, but it was a tragedy for me. I haven’t even been able to write about it until now – over a year later – and I’m still not out of the woods. My eyes reacted unpredictably to the surgery, probably because of unknown underlying auto immunity in my body. My eyes were so dry for months, I could barely open them and when I did, the vision was a blurry mess. I can’t think of much worse for an artist aside of losing your drawing hand. Then as I was just starting to see some improvement in my sight, I suddenly was afflicted with HUNDREDS of floaters in my eyes that swirled around (and still do) at every eye movement.  I had developed uveitis which in my case is a chronic auto-immune inflammation of the uvea in the eyes. Without steroids, I would eventually go blind. But steroids have their own issues. As months passed, my clarity improved but it’ll never be as sharp as it once was before the surgery. I’ve seen so many eye doctors. And now I have developed cataracts from the steroids. And that’s where I stand now. My vision is starting to cloud up. Hopefully I can remove the cataracts safely with another surgery soon. And I’m hopeful that after that, I can be well enough to undergo a last surgery to remove the many many floaters. From this, I sprouted some scary anxiety that on one occasion landed me at the hospital. Anti-anxiety medicine was a life line, literally. And I’m still very reliant on it as I continue this health journey. The bad news is that I gained 30 pounds since starting this medication, but it’s life (and be bigger for now) or death. Sounds extreme, but it’s true unfortunately.

Also Erica held on, encouraged me, and waited for me to get better.

 

I got a book deal! – Very very good.

But in the middle of all this tragedy (early this year), something AMAZING happened. Erica submitted my book to a handful of publishers and 4 BIG publishers wanted it! It went to auction and sold to Little, Brown Books for Young Readers in a 2 book deal! A. Dream. Come. True. I can’t even.

 

I did the job! – very very very good.

I was very nervous about illustrating my book through vision issues, but God stayed near me. There’s no other explanation. This very week I’m working through a final tweaks list and then it’ll be a done deal! I have been so honored to work with Andrea Spooner, Hallie Tibbetts, Jen Keenan, and Saho Fujii at Little, Brown!  I couldn’t have imagined a more wonderful first experience! (I think my medicine helped me deal with this good stress better too.)

 

I’m still standing! – very good!

I’ve never thought of myself as very strong, but I still can’t believe what I’ve gotten through this past year. Good and bad. I’ll continue to trust the Lord. I’m sure I’ll still mourn my loss of perfect vision for a long time, but I know God will deliver me to the other side of sorrow soon. He has already thrown me many lines of hope that I hold onto with all my strength.

 

I have the sweetest husband ever! – so good.

Through this, I’ve seen the love my husband has for me. I knew he loved me before, but I REALLY know now. He carried us when I couldn’t rise from the bed or take care of our girls from depression. He never got angry at me or asked me to “get it together” or “man up” or anything like that. He got it together and manned up in my place. He just loved me. He never lets go of our hope for normalcy again one day. He has tirelessly talked with me over and over reminding me of the hope I have in healing, good doctors, and a career ahead of me. He’s such a good man and daddy. He saved me.

 

Moving onward!

So now I’ve finally written this down. Whew. I hope to be posting happy updates soon. Until then, I’ll keep on truckin’.

 

They say the best story is when a character is faced with the most awful thing that could happen to them, and then we see them grow and overcome it. That’s my hope.

Life is NUTS!

-Shanda

 

P.S. My debut picture book Doll-E 1.0 publishes Spring 2018 by Little, Brown!

P.S.S. I don’t recommend LASIK :)

 

How Did I Come To Be … Here?

Filed under: Events,Growing Up Artsy,Lessons of an Artist | September 21, 2015


IMG_4804

Before I answer this question I want to say that I experienced one of the the most magical conferences of my career this past weekend with SCBWIMidSouth and my critique group! It was my first time attending this particular conference, but I was blown away by the surrounding talent, the speakers, and the kindness I encountered. And I’ve been to lots of conferences, believe me- this one was stellar!

I also had some encouraging feedback (the kind that will carry me through another week … another month … another year)! John Rocco even high-fived me! He’s awesome. Him being on the faculty list sold me on this conference in the first place. Not only did I get to hear him speak and have him sign my favorite book, “Super Hair-O and the Barber of Doom,” but he said I had “mad skills.” I’ll never forget THAT. 

So…. “how did you come to be here sitting in front of me?” Kristen Nobles from Candlewick asked as I sat down for my portfolio critique. She wanted to know a little about me and my background up to this point. I answered her back, but what I said wasn’t strung together very well spur of the moment. And of course I was a little nervous. But when I left the conference, that question circled and circled in my head. It’s a really good question, and I’d like to have a really good answer should anyone ask me again.

So here’s my answer… my long, thought out answer…

I was the art kid. I was good at it in elementary school, middle school, and high school. It was a strong sense of my identity and still is. It’s what made me (feel) special. 

I was not a particularly gifted reader, I was so very average. I loved the book fair! It made me want to want to read – are you following? In 3rd grade I was given a little money each book fair to get some books. I usually bought picture books (even though I was “too old” for them). But I could see that words and pictures played beautifully together. Then, I picked up “The Witches” by Roald Dahl… it was a thick book with a pretty witch on the cover. So I started it…and finished it- a thick book! (Revolutionary for me :) Again, it was words and pictures. I fell in love with reading then. I still wasn’t a bookworm or anything, but I experienced a secret, sweet, magical something when I found that perfect book. It usually had pictures and was funny. 

Fast forward. I go to art school. I figure out that I gravitate to art that reaches many people vs. art that hangs in galleries. It was the art that almost every person could relate to, feel something from, and get a hold of that I wanted to make. I finally figured out that what I really wanted to do with my life’s work was make pictures for the words in books. 

 I didn’t quite know how to make that happen. It’s not a straight path. So, I became an art teacher in a high school to pay the bills, but I knew this was only a stepping stone and not my calling. But I don’t regret it one bit. I learned how much I loved kids, even the big ones. I shared my love of books and illustration with them! I’m not sure if I affected any of them, but they affected me. I wanted to practice what I preached to them about following dreams, so I quit. And my husband and I moved to Brooklyn, NY!

It was only for a year, but I had my New York experience in a little apartment living in the same city as so many artists have, are, and will. I worked at Fishs Eddy near Union Square, and attended night classes at the School of Visual Arts. I will never forget THAT. 

I joined SCBWI in the middle of teaching, but I didn’t get very active until I came back to Georgia and longed to be near artists and writers again. SCBWI filled that void well and continues to feed my soul. I met my writers group through SCBWI, and this single thing has shaped my work more than anything. I am surrounded by talent that abounds me once a month. In their midst, I started writing and really began pushing my art. I’ve also met and/or become friends with several inspirational people: Lori Nichols, E.B. Lewis, Kelly Light, and now John Rocco are all mentors of mine whether they know it or not.

Then I had a child. There isn’t anything more bonding than experiencing stories together. I fell in love with books again, as a mommy. Now, the draw was/is bigger than ever. I WANT to be a part of that world. I want to be among the creators of children’s books!

So, that’s my answer. That, in a nutshell, is how I came to be … here!

-Shanda

FullSizeRender

Toughing It Out

Filed under: Illustration,Lessons of an Artist | August 28, 2015

"Let It Fly" sketch by Shanda McCloskey

I took a cycle class today. It was pretty tough. Going again and again is making me tougher.

This “book game” is a tough. silent. killer. I’ve heard next to nothing since I started submitting my book. I did get one “no,” but it was from a friend’s agent. I can’t help but wonder if it was as quick and gentle as it was as a curtesy to my friend more than anything. The fact is … it’s so quiet. So still. You don’t know how to adjust your technique. Is it the letter? the subject? the person? or has anyone even looked at it yet? Is it sitting in “the slush pile” getting moldy? Members in my critique group have been going through this for a while, but it’s real for me now. I wouldn’t even mind some rejections just to know someone looked at it.

This is a time to listen to my own heart I guess. I love the book I wrote. I believe it’s valuable and beautiful and funny. I believe a child and a parent would have a sweet experience reading it together at bedtime. I believe a room of preschoolers and kindergarteners would get a kick out of it at story time. I believe it would inspire a kid.

The book dummy I sent out is probably not perfect, but I think it has a fantastic chance to be a great book. I hope someone else will believe it too … in the traditional publishing world so my book could be in bookstores and libraries all over the place. I’m working and brainstorming on a new story now. It has a similar large theme of thinking bigger and believing. I need my own stories right now, because that’s what this time is requiring of me. To dream, do my best, be tough, and have some faith.

One day the silence will break. Probably :)

-Shanda

Springing Off From Here

Filed under: Illustration,Lessons of an Artist | March 26, 2015
"Charlotte" by Shanda McCloskey

This is Charlotte. A techie, gadget-loving girl.

 

It’s Spring! (Here in GA anyway :) A time for the renewal of many things, including me. I feel energized and extra committed to my goals and dreams this year. My baby is 9 months old, and for now, things are good. I am getting more sleep at night, and I’m trying to take good care of myself. I have a wonderful mother and mother-in-law who help SO very much with my girls! I’m so grateful.

I’ve been working with the incredible, E.B. Lewis, through a Skype mentorship! It’s cool. He felt I could do better and more interesting artwork if I used real art materials rather than my self-taught, flat, lack-luster attempt at digital coloring.  (He wasn’t quite that mean about it, thank goodness). I felt the same way, deep down.

"Charlotte on Yellow" by Shanda McCloskey

So, the illustration you see at the very top of this post is my best attempt (so far) at applying watercolor and oil pastel to one of my characters. Seems simple enough, but I was at war with myself for a week just trying to get the paint to do what I wanted. I finally painted this, and I feel like it was successful … so I’ll try to spring off from here … no looking back.

-Shanda

Lesson #9: If You Don’t Feel Like Going To the Conference, Go Anyway. (Good Stuff From Spring Mingle 2014)

Looming by Shanda McCloskey

Looming by Shanda McCloskey, final from mentorship with Loraine Joyner, art director of Peachtree Press

So there I was on the Thursday before the looming conference that started on Friday… I’m super-tired, super-pregnant, out-of-breath, feeling huge, and not myself. Everything was set and paid for. My critique group had a hotel room to share for a fun filled weekend. But I almost backed out of going for being tired and overwhelmed. I had some freelance work going on, and honestly I was a little “conferenced out” as well since I had just attended the NYC SCBWI National conference just a month ago. I was also a participant in the illustrator mentorship with Loraine Joyner of Peachtree Press. I was not thrilled with my finished piece (above), so my motivation for going and showing it off was very low. But for some reason, my gut told me to push through and go. I had done so much preparation to go, so I just had to. My friends were counting on me to be there. (Critique groups are good for accountability too :)

Characters by Shanda McCloskey, from mentorship with Loraine Joyner, art director of Peachtree Press.

Characters by Shanda McCloskey, from mentorship with Loraine Joyner, art director of Peachtree Press.

I’m so thankful I went. This was my best and favorite conference yet! Great learning along with some exciting happenings gave me some serious fuel to get me through my next several months of hard life… (third trimester, birth, having a newborn again, and putting my life and body back together again.) I left this conference feeling like God was letting me know I’m on the right track, and to keep trusting Him on the good days and the tough days.

 

Kim, Colleen, Shanda, and Christi representing Trail Mix, the greatest critique group north of the ATL!

Kim, Colleen, Shanda, and Christi representing Trail Mix, the greatest critique group north of the ATL!

I sure did have some extra good days at this conference though, because I got my very first AND second requests for my manuscript and book dummy! (Which means somebody asked me to send them my work so they could look at it more closely and possibly consider representing it or publishing it.)  Two requests! It was a pretty surreal experience, and it felt so good. Only my critique group (and my husband and mom) knows how much I’ve labored over my story. It has gone through many stages, and finally me and my critique group felt it was ready for the next step… to show it to some professionals for feedback. I was pleasantly surprised with the reactions and feedback, so we’ll see where it goes from here. Even if nothing comes of these requests, it’s really nice to hear a little “you’re not crazy and you may have something here” validation.

Here’s a quick line up of the amazing people/staff who came from all over to share their knowledge with us:

photo 2

Cheryl from Just Us Books – She reminded us of the importance of making authentic characters of all races. There are so many white kid books. Kids of other colors deserve to “see” themselves in stories too.

Ruth Sanderson – an incredible illustrator who let us see intimately into her life and journey as an artist.

photo 3

Lucy Ruth Cummins – art director, designer extraordinaire for Simon & Shuster. Lucy Ruth was hilarious, cool, knowledgable, a good teacher, and emotional about how much she loves books and her job of creating books. She’s one of those people I’ll never be as cool as, let’s face it. And if she ever wanted to work with me as an illustrator, I’d feel pretty awesome :)

photo 1

Cheryl Klein – executive editor with Arthur Levine Books which is an imprint of Scholastic. Cheryl was full of knowledge! There was so much information, I had to let it sink in to fully realize just how much I learned! She’s a great teacher, and you can tell she’s a seasoned professional (although she’s young) and  knows what she’s talking about.

Ammi-Joan Paquette – is an author and an agent. She shared with us a peek into her daily life and how many “hats” she has to wear from a mom, wife, author, to business agent. It was nice to hear how she manages it all. I ALWAYS need to hear motivational talks on things like this, because it is my biggest struggle. I want to be a mom, a wife, a friend, a daughter (who helps with her business), AND a wildly successful author/illustrator! How to fit it all in is different for everybody.

So, there it is! A few weeks later, but a conference definitely worth blogging about!

 

Lesson#7: Go To New York

Filed under: Events,Lessons of an Artist,Shanda's Journey | February 26, 2014

Photo Feb 23, 2 00 58 PM

The New York SCBWI conference was wonderful! My weekend was magical! Not only did I learn more about my craft and industry, but I got to meet new people, got to know some Southern Breezers (that I already knew) on a deeper level, saw and met writer and illustrator celebrities, witnessed my friend, Lori Nichols, WINNING the portfolio showcase, participated in the showcase myself (who knows if someone important might have made a mental note to watch me grow), spent some real quality time with my sister, and my husband, saw some old friends in Brooklyn, saw the “Why Children’s Books Matter” exhibit at the New York Public library, and experienced a fancy hotel stay in Manhattan! I’m exhausted… in a good way! There’s just something special about New York, and I’d like to continue to attend that conference as much as I possibly can. I feel like it will be important for “going faster”, if you will, on my journey.

Tomie DePaola

Tomie DePaola speaking at the 2014 SCBWI NYC Conference

Photo Feb 20, 2 56 02 PM

My room at the Grand Hyatt at Grand Central

Here’s a list of some of the most important things I took with me from this conference…

For illustrating-

1. Go see as many live plays and ballets as possible. Here are valuable lessons in staging, storytelling, body language, and costuming. Funny thing, Ben actually got to see the New York City Ballet with our friend, author/illustrator, Monica Wellington! I’m so jealous!!!

New York City Ballet

The New York City Ballet

Art at the New York City Ballet

Art at the New York City Ballet

2. DRAW EVERYDAY. I can’t tell you how many speakers said these words. I think I finally heard it :) But if we draw enough, our personal style WILL emerge… it’s in our DNA!

3. The creative process is a mystery and unique to each creator. You can’t rush it. You can only feed it by making art over and over and over again. (The process of becoming an author and illustrator sounds similar.)

Photo Feb 23, 10 59 08 AM

Panel: Arthur Levine, Shadra Strickland, Oliver Jeffers, Marla Frazee, Raul Colon, and Peter Brown!

4. Everything you need to know you learned in your first art class. But it takes time for your brain and hands to trust it. Every time you start to draw a face, you start with an oval and divide it up, every single time. Over and over again.

5. When creating a character, draw it so much that the “generic” gets pushed out of it.

Me with Oliver Jeffers

Me with Oliver Jeffers (illustrator of The Day the Crayons Quit)

6. You may need to imitate art you like in practice to help you find your way. It’s okay.

7. You will know your art is working if you feel something when you look at it. Your goal is to create an emotional response.

8. Will they fall in love with your character? If so, they will probably love the rest of your book too.

9. Viewers of your illustrations should be able to “get it” right away.

10. Most important things to see in illustrations: relationships and emotions.

Photo Feb 23, 9 52 55 AM

11. Magnify what you do well. Don’t force what you don’t.

12. Put enough discovery in an illustration for interest a second time around.

Photo Feb 22, 5 54 56 PM

Portfolio Viewing

13. Go as fast as you can. Get in the express lane if you are able. (For me, I think that means going to the NYC conference often.)

14. Self publishing does not have the negative stigma it used to.

Photo Feb 22, 5 55 10 PM (1)

For writing-

1. Jack Santos said: the perfect ending is when action and emotion meet. A physical and emotional ending wins the prize! For ex. Not everyone will be able to relate to the physical experience of a teacher smashing your watch because you can’t not play with it, but EVERYONE will be able to relate to the emotional experience of not feeling mature enough for something.

2. Your characters HAVE TO change, otherwise its not worth reading or writing.

Me with Lori Nichols after she won the showcase!

Me with Lori Nichols after she won the portfolio showcase!

3. Find a work habit that works for you.

4. Good stories always have an emotional core and deep emotional human experience.

New York Public Library

New York Public Library

Children's room at the New York Public Library

Children’s room at the New York Public Library

5. Kate Messner said: If you aren’t nervous about this journey, it wouldn’t be worth doing.

Why Children's Books Matter Exhibit

Why Children’s Books Matter Exhibit

Why Children's Books Matter

Why Children’s Books Matter Exhibit

The Great Green Room

Why Children’s Books Matter Exhibit

6. Remember to celebrate the small accomplishments along the way!

Sisters

Me and my sister, India!

Photo Feb 23, 2 14 15 PM

Bryant Park

Well there you go :) Every conference I attend confirms my desire to be a part of these people that make books for kids!

When Ben and I finally landed in Atlanta again on Monday night, we cranked up our rap music for our last kid-free drive home. What can I say? It gets me ready to fight… for my dream :)

-Shanda

Lesson #6: Draw More

charlie_sketch1

I was proud of myself this week. I drew almost every day. Drawing is just as important for an artist as exercise is to every body, and we KNOW this, yet we can slip into times where we don’t do it for days, weeks, and even months. After I had my little girl, I was so mad that I’d let 6 months pass by without making art. Now, to my defense, having a baby just about did me in, but it is what it is, and that’s no way for an aspiring illustrator to be.

I am feeling like I really have to make some choices that will define how I spend my time from now on. Some of those choices is to draw more, every day if I can. I found that when I spend more time drawing, I feel more prepared for an illustrative future (like I’m getting somewhere), which makes me feel happier and calmer, which allows me to be more “present” while playing with my daughter. They say, moms who take care of themselves, take better care of their kids. I can see now.

And each day that I drew, it felt progressively more natural, and even easier maybe. If that’s the case, can you imagine if we drew (almost) every day for years and years? I believe we’d actually get pretty good!

I am working on the look/feel of a girl character in a story I just completed the first draft on. Looking forward to the feedback I get at my critique group this Wednesday night! They are wonderful, and I know it will become a better story with their help.

Here’s my progression through this week…

charlie_sketch2

charlie_sketch3

charlie_sketch4

Lesson #5: Kids Are Amazing (a lesson from Pirate Portraits at the library!)

pirate_portrait9

I just got home from a fun morning with 18 of the coolest kids in town at the Ball Ground Public Library! And they’ve got SKILLS! There’s just something extra neat about younger kids and their confidence in their art. I’m used to teaching big kids (high-schoolers) who are much more scared of failing. I was really nervous at first teaching these younger ones, but I was reminded how amazing kids are. They made me feel so welcome and comfortable and happy :) Just another reminder that I’m in the right place, pursuing the career of my dreams. If I keep doing stuff like this as an unpublished illustrator, I’ll be “fit as a fiddle” when I need to do workshops and talk to kids, etc. as a published illustrator.

Look how great these portraits turned out!…

photo-6
pirate_portrait1
pirate_portrait2
1
pirate_portrait4
pirate_portrait6
2
pirate_portrait8
pirate_portrait12
pirate_portrait13
4
3

pirate_portrait10
pirate_portrait11

I think it was a hit! And I’m so grateful for everyone who came today! And thanks for letting me know you had a good time!

Love,

Shanda!

Lesson #4: Attempt Being Friends with Technology

Work in progress… painting in Photoshop.

Work in progress. Painting in Photoshop on screen.

Work in progress. Painting in Photoshop on screen.

I’ve felt in my gut for a while that I needed to learn some more computer art skills. I already have a good foundation knowledge of Photoshop and I use it often to enhance photos for the  blogs and websites that I help with. Up until now, I’ve only used Photoshop to brighten my artwork before printing it or posting it.  CREATING with it is over my head. But… I took a little course called “Digital Painting in Photoshop” by illustrator Will Terry. He is a great teacher, and this course has eased my concerns so much. I’ve just started my first digital illustration painting in the style that Mr. Terry demonstrates. I literally just started, so… stay tuned- I’ll post my progress :)

I am aware that the competition in children’s illustration is fierce. There are so many really talented folks sending out to the same publishers and agents that I am. So, I feel I can’t be a stranger to the technology that could potentially help me work FASTER to create MORE work for my portfolio. The more I create, the better I will become. Also, I think it’s increasingly more appealing to work with artists who are technically-able, even if just for scanning and sending high res images over the internets :)

My Ben snagged me a Wacom Tablet for my birthday, so I could really give this a fair shot. I must say, I really like it! I would have bet money on me mostly hating it, and that I would have to force myself to use it. But I found that it’s easier! That’s all I need.

Computers in the studio

Computers in the studio

My almost 3-year-old embraced digital painting before I did, so I’m already behind…

 

 

photo 4

Thanks for stopping by!

-Shanda

 

 

 

 

Lesson #3: Give Your Blog Readers Good Free Content (& they’ll probably be excited about your books too :)

This lesson I learned from my Southern Breeze Illustrator Coordinator, Elizabeth O. Dulemba. About 5 years ago, she started offerring a FREE coloring page every Tuesday on her blog. Every Tuesday. For 5 years (and still going). Wow!

Dulemba150x150

Readers loved it. Teachers loved it. Librarians loved it. Kids loved it! Her blog blew up! Coloring Page Tuesdays are hotter than hotcakes! Now she has a super nice platform of readers to tell about her new books when they come out! Genius! And she did this by GIVING!

So, the lesson here is the title above: Give your blog readers good, free content, and they’ll probably be excited about your books too! At this point, they would probably be willing to buy your books for their kids, kid’s friends gifts, nieces, nephews, classrooms, or themselves.

Well then, what can I do on my blog that could serve a similar purpose? Of course, I would not copy Elizabeth’s coloring page idea, so I thought about my own strengths, experiences, and what I enjoy. At this point in my journey, I like to experience lots of books and learn from them. Especially picture books. Reading with my daughter is my favorite way to spend time with her. We are both into books, and can have a lot of fun together. I’m not the best to get on the floor and play each day, but reading is different. We read together just about every day.

Our Reading Chair

Our Reading Chair

I love to see what books she asks for again and again. Reading together is such a great way to learn what kids respond to, and the breadth of their understanding of a story. It’s that stuff and so much more! Here’s a great quote from The Encyclopedia of Writing and Illustrating Children’s Books:

A picture book may seem like a simple proposition- a decorated story. In fact, a picture book contains several modes of expression and can contain multiple layers of meaning. What a picture book “means” to a child is more than just a story with illustrations. From an early age, children learn what a book is, how to hold it the right way up, the order in which to turn the pages, and how to read- first the images and then later the words. The imagery may be “realistic” or entirely graphic. Imagery and colors may form patterns throughout the book, accruing meaning as motif; white space may imply content and demand that the child mentally “fill in the gaps”; and the illustrations may expand on and extend the information in the text. Sometimes, the illustrations may even tell a different story. This tension between what is said and what is shown makes picture books a unique and exciting form of graphic expression.

So I’ve decided to offer up picture book suggestions that my daughter and I both enjoy and why. I’ll share my point of view, and then she’ll share hers :) But I’m also going to add an art element to it, and we’ll demonstrate a project to do with your little ones that expand on the book and are fun! And there you have it! I think I’ll call it “A Picture Book & A Project”.

I try to do it once a week, and my projects will be suited for young kids for now, My daughter is just about to turn 3. But as she grows, so will the complexity of the projects.

hj_with_her_books

Which books will she pick??

Be on the lookout for “A Picture Book & A Project”. Coming soon!

-Shanda

P.S.- Notice anything different about the look of my site? It’s nice to change things up every so often :)

Older Posts »

Shanda McCloskey, Children's Illustrator & Author